My name is Jenae. I’m twenty-one years old and I’ve graduated from UCLA with my B.A. in English. The plan is a Ph.D. in Composition, but inevitably this journal will include a lot more musings about that. I read, I write, I explore, and I try to find a story in wherever I go. This is a continuing project after a long hiatus to express gratitude for whatever and whoever inspires me to see the world from a more optimistic perspective.
Friday, July 9, 2010
Today I Appreciate Reviving Old Traditions
Tuesday, July 6, 2010
Today I Appreciate Blogs
Wednesday, January 14, 2009
Today I Appreciate the Assignment to Write About My Face
I suppose the answer to that question is that, well, I am simply an amalgam of genes, but my jowls really stick out in kind of a funny, impish way and half my face really is just eyes. I stared at my face in the mirror a long time before I began to write and it became something that wasn't mine; simply slopes and lines and figures and details that all added up to something I couldn't even piece together anymore. It was almost as if I created this disjunctive, floating mental grid of my face, where I tried to maintain a manageable quadrant of features, but they simply kept falling out of place or not piecing together any longer.
Rater than disconcerting, this separation of my face from my persona felt refreshing. At a place like UCLA where a large population of beautiful girls effortlessly glide across campus with grace and style and a kind of fashion panache I will never possess, I feel a constant sense of slight insecurity, of slight concern that I'm not quite admired or appreciated enough for how I look. Yet breaking my face down, seeing it for the features that exist - and not attaching any kind of subjective label to these features - leads me to believe that there is a type of beauty in my wide jowls, in my unruly eyebrows, and in the bump at the top of my nose. It may sound very India.Arie of me (remember? "I'm not the average girl from your video / and I ain't built like a supermodel / but I've learned to love myself unconditionally..." Too much female empowerment), but our features, our differing shapes make us into fascinating creatures, creatures worth noticing and studying and - maybe, but not necessarily - admiring a little bit. Even in the strangest combination of features one can find something interesting even if it's not necessarily "beautiful." After all, the aesthetics of the human face are some of the most interesting pieces of art that exist. The inherent intrigue of the face is, after all, why places like the National Portrait Gallery in London exist. There is nothing more masterfully shaped than the face.
The way one looks is integral to who one is; if I did not have my jowls, my eyes, my eyebrows, I simply wouldn't be this creature known as "Jenae."
Friday, January 9, 2009
Today I Appreciate the Self-Righteous, Eclectic Coffee Shop
Let me also preface this post by thanking everyone for thoughtful comments on the first few posts. The encouragement really helps keep me going, so thank you. :)
So, today, I felt a little claustrophobic in Westwood and decided to get coffee in Santa Monica. This tends to happen on Friday afternoons when I have no other class obligations or meetings or work. Keeping Fridays free is one of the greatest things I've ever done for myself; I can work all day on Saturday and Sunday if I'd like, but there's something psychologically pleasant and rewarding about having a FREE (read: "I-get-to-do-whatever-I-want-so-there") Friday. This is not to say I keep my Fridays homework-less necessarily, but I get to do it at my own pace and as a student, where obligations run one's life, that's probably the most marvelous feeling in the world.
Because of the nature of the column I write for "The Daily Bruin" (unofficially called "Exploring L.A.," offically called nothing), I tend to read NFT (Not For Tourists) and Losanjealous pretty regularly and discovered in NFT a coffee shop in East Santa Monica that makes coffee from a siphon.
What's a siphon? It's this: a tube running from the liquid in a vessel to a lower level outside the vessel so that atmospheric pressure forces the liquid through the tube (definition from wordnet.princeton.edu/perl/webwn). Yes, coffee comes out of those liquid pressure tube things. Neat, huh?
Hence, I undertook a question to find this siphon coffee place after class, toting a heavy backpack and directions scrawled on to a tiny notepad. Let me say that I have a terrible, terrible sense of direction, so I wrote down very specific instructions (including, "if you hit this street, you've gone the wrong way. If you hit THIS street, you're going the right way! Hooray!").
Walking off the bus past Wilshire Boulevard, I walked through a neighborhood of palm-tree lined streets and low-rise pastel-colored apartments with small balconies and little, square garages right near the street. It was the sort of charming West L.A. neighborhood that helps you realize that in spite of all of L.A.'s general lack of charming, refreshing pockets of humanity and character exist. It really elevates one's spirits to know that there are people living in peaceful alcoves of a city that inherently cannot be described as "peaceful."
Cafe Balcony is part of a strip mall and the sign outside merely reads "CAFE" in giant block lettering. It could just have easily read "BAIL BONDS" or "LIQUOR" as it was an inconspicuous strip mall shop facing loud, urban Santa Monica Boulevard. Yet upon stepping inside, the place engendered all of the warmth, character, and soul that the outside lacked. I was the first one in the shop (as I had arrived there on bus an hour before it opened, so I just read outside for an hour. Woops.) and I ordered an iced Americano and sat for two hours, doing homework, reading, and writing. The cafe's red walls, mismatched wooden chairs, and wacky music selection (ranging from electro-pop to alternative folk rock to smooth jazz to - get this - opera) felt like a cozy place to settle in for the day.
With each breath I took, the smell of coffee warmed me all the way through my body. Sitting there is what I imagine going to a cafe in Paris would be like (as cliche as that sounds): no one rushes you, everyone is reading their own great books and simply enjoying time to reflect, focus, and rejuvenate. I appreciate coffee shops that don't rush you out, that don't tell you when to leave, and don't encourage you to act "artsy" if you don't want to. There are a lot of pretentions around sitting in a coffee shop and "being an artist," but when it comes down to it, when you have a place like Cafe Balcony that is simply pleasant and encourages time to just sit and reflect and be, that's enough for me to not worry about what anyone else may think of me. That must ultimately be the most freeing experience and I appreciate it after a week of feeling like I had to live up to academic/social expectations.
As far as my other past few days go, I'm simply going to state what I appreciated: Wednesday I appreciated my USIE classmates (that is, other students teaching undergraduate seminars at UCLA in the spring like me) and Thursday I appreciated dancing with my co-workers to Depeche Mode (what a freeing experience that was, too!).
What a peaceful, lovely day thus far.
Friday, January 2, 2009
Today I Appreciate You
Yearly, I planned to keep some sort of journal. Fancy notebooks with floral print covers and neat, lined pages remain the only partially-filled testaments to my attempts at “practicing” writing and attempting to be a “good writer.” Every “how to be a writer” book I read told me that the best writers keep journals, so that’s what I tried to do: keep a journal.
I sparingly wrote in those journals, however, because I lacked meaningful purpose for writing in them. I only occasionally wrote because I thought that’s what you were supposed to do if you had any love of language. Alas, the entries fell into the trap of “I hate mom,” “I hate dad,” and “I hate mom AND dad” and, thus, became my platform for complaining rather than for observation. That’s not to say that complaining doesn’t have its place in literature, but it shouldn’t be the predominant emotion driving one’s work.
As Robert Root writes in The Nonfictionist’s Guide, a writer needs “a sense of commitment to the subject matter, a sense of involvement that is not simply a desire to communicate something but is instead – or in addition – a willingness to discover and accommodate whatever emerges from the writing” (26). Basically, if you have a goal in mind and you want to communicate, go and do it, but expect to learn something from the process, too.
So, this project is really twofold: I expect to not only learn a little about my life experiences by reflecting upon them in an optimistic way, but also to discover something about what it means to be appreciate what you have and through this appreciation, to become a happier, fuller, healthier person.
Today, then, I appreciate you, whoever you are, reading this beginning. You are probably among only a few who have either a.) been referred here by me, b.) stumbled upon this by accident or c.) are my family (who fall under the subcategory of a., but whatever). Happiness can only be achieved with the help of others. It’s impossible to be a complete lonely misanthrope, sulking through life incapable of finding love and appreciation from others. After all, many write to be immortal; words transcend life and being.
So, why do you need to be involved in this? Well, writing for me is a wholly beneficial process and I could easily keep this tucked away in a hidden folder, but I’m only compelled – really compelled – to write this if I know someone out there cares or is affected by anything here. That’s cliché (and, boy, do I hate that it’s cliché), but clichés exist because they are so firmly based in truth. I write this, these observations, these thoughts, these desires to share, because I wish to stir something in you. It doesn’t really matter what.
After all, it’s impossible to communicate until you discover something you need to communicate. For me, I need to communicate what brings me levity, what brings me hope, and what brings me inspiration because, without that reflection and without that understanding, it’s impossible to really appreciate and love what’s open and available in the world.